Jamaican reggae pioneer Desmond Dekker, famed for the genre's worldwide hit with "Israelites," has died of a heart attack at his home in England in the early hours of Thursday 25th May.
He was born Desmond Adolphus Dacres in Kingston and was orphaned as a teenager. Dekker began working as a welder, singing around his workplace while his co-workers encouraged him. In 1961 he auditioned for Coxsone Dodd (Studio One) and Duke Reid (Treasure Isle). Neither were impressed by his talents and the young man moved on to Leslie Kong's Beverley record label where he auditioned before Derrick Morgan, then the label's biggest star.
With Morgan's support, Dekker was signed but did not record until 1963 because Leslie Kong wanted to wait for the perfect song, which "Honour Your Father and Mother" was felt to be. The tune was a hit and was followed by "Sinners Come Home" and "Labour for Learning", as well as a name change (from Desmond Dacres to Desmond Dekker). His fourth hit, however, made him into one of the island's biggest stars. It was "King of Ska," a rowdy and jubilant song on which Dekker was backed by The Cherrypies (also known as The Maytals). The song remains well known among ska fans. Dekker then recruited four brothers, Carl, Patrick, Clive and Barry Howard, who became his backing band, The Four Aces.
Dekker and the Howards recorded a number of hits including "Parents," "This Woman," and "Mount Zion." Until 1967 Dekker's songs were polite and conveyed respectable, mainstream messages. In that year, however, he appeared on Derrick Morgan's "Tougher Than Tough," which helped begin a trend of popular songs glamourizing the violent rude boy culture. Dekker's own songs did not go to the extremes of many other popular tunes though he did introduce lyrics which resonated with the rude boys starting with one of his best-known songs, "007 (Shanty Town)". The song established Dekker as a rude boy icon and also became an established hero in the United Kingdom's mod scene. "007 (Shanty Town)" was a Top 15 hit in the UK, and he toured that country with a posse of mods following him.
Dekker continued with songs in the same vein such as "Rude Boy Train" and "Rudie Got Soul", as well as continuing with his previous themes of religion and morality in songs like "It's a Shame", "Wise Man", "Hey Grandma", and "Sabotage." The song "Pretty Africa" is a long-standing favourite among his fans and may be the earliest popular song promoting repatriation.
In 1968 Dekker's "Israelites" was released, appearing on both the U.S. and UK singles chart, and eventually topping the latter and peaking in the Top Ten of the former. He was the first Jamaican performer to enter U.S. markets with pure Jamaican music, though he never repeated the feat. Equally, the track became the first reggae song to top the UK chart. That same year saw the release of "Beautiful and Dangerous," "Writing on the Wall," "Music Like Dirt", "Bongo Girl", and "Shing a Ling". In the same year, Dekker was mentioned as "Desmond" by his friend Paul McCartney in The Beatles' song "Ob-La-Di, Ob-La-Da", when it was released on 'The White Album'.
1969 saw the release of "It Mek", which first saw only lukewarm success but was re-recorded and became a hit both in Jamaica and the UK. He also released "Problems" and "Pickney Gal", both of which were popular in Jamaica but saw only limited success elsewhere.

  1. 007 Shanty Town (2:31)
  2. A It Mek (2:20)
  3. Honour Your Father And Mother (2:22)
  4. Isrealites (2:33)
  5. Licking Stick (2:11)
  6. Mount Zion (2:41)
  7. Pretty Africa (2:28)
  8. Reggae Recipe (3:02)
  9. You Can Get It If You Really Want (2:35)

In the 1970s Dekker spent most of his time touring and moved to the UK, where he continued to record. Among his best known releases of this period was " You Can Get It If You Really Want," written by Jimmy Cliff, which Dekker had not wanted to record but was convinced to do so by Leslie Kong. Kong, whose production had been an instrumental part of both Dekker's and Cliff's careers, died in 1971 and both his protegés lost direction for a period before returning to music.
Dekker continued recording, but with only limited success until he began working with the production duo Bruce Anthony in 1974. His first hit with the pair was 1975's " Sing a Little Song" which climbed in to the British Top Ten. Dekker was unable to follow its success, however, and did not chart in the UK for some time (except for the Top Ten re-charting of " Israelites" in 1975). Dekker also found only a limited audience in Jamaica.
At the end of the 1970s Dekker signed with Stiff Records, a punk label linked with the Two-Tone movement, a fusion of punk and ska. He recorded an album called Black & Dekker which featured his previous hits backed by The Rumour, Graham Parker's backing band. His first single was " Israelites," a Top Ten Belgian hit, and was followed by " Please Don't Bend," Jimmy Cliff's " Many Rivers to Cross" and " Book of Rules." His next album was Compass Point, produced by Robert Palmer. Though Compass Point did not sell well, Dekker was still a popular live performer and he toured with The Rumour.
In the early 1980s, as the Two Tone movement died out, he saw his fortunes dwindle and he was declared bankrupt in 1984. Only a single live album was released in the late 80s, but a new version of " Israelites" reawakened public interest in 1990, following its use in a Maxell advertisement. He re-recorded some old singles, and worked with The Specials for 1992's King of Kings', which used hits from Dekker's musical heroes, including Derrick Morgan. He also collaborated on a remix version of his classic " Israelites" with Apache Indian.
In 1996, "Moving On" was released while 2000 saw the release of "Halfway To Paradise". On the other hand the Trojan label has continued to keep the singer's back catalog to the fore. Beginning back in 1974, when they released the humorously titled "Double Dekker", across "Sweet 16 Hits" (1978), "The Original Reggae Hitsound" in 1985, and 1992's "Music Like Dirt", there's never been a dearth of excellent Dekker material for fans to revel in. Other labels have jumped in on the action, and the shelves have quickly filled with compilations of the singer from varying stages of his career.
Desmond continued to tour and record up until his death; his last performance was on May 11 at Leeds University, and he had concerts scheduled throughout the summer.

Sources : WikiPedia Org, Trojan Records, Desmon Dekker Site.