Title
Artist
Label
Format
Date

Escape From Hell
Tappa Zukie
Trojan Records
CD
November 7, 2006

Tapper Zukie Track list
  1. Sidewalk Dub
  2. Massacra Dub
  3. Dub Driver
  4. Population Dub
  5. Weather Umbrella
  6. King Alpha In School
  7. Experience Dub
  8. Marching To Zion
  9. Escape From Hell
  10. Squatters Dub
  11. Straight To Him Chest
  12. Revolution Version
  13. Double Struggle
  14. Natty Princess Version
  15. Real Version
  16. Sensimelia Version
  17. She Want A Version
  18. Mariguana Version
  19. Broad Back Skank
  20. Rub A Dub A Weh Them Want
Rating : from 5 (excellent) to 1 (poor)
Vocals : - Backing : 4 Production : 5 Sound quality : 4/5 Sleeve : 5
One of Jamaica's most talented artists, Tappa Zukie has had an equal impact on both sides of the recording deck, as both a hitmaking toaster and as a producer who has worked with the cream of Jamaica's vocalists. In addition, his early ties to the punk community in both London and New York was instrumental in the crossover of roots reggae into the mainstream. Born David Sinclair, Tappa was a diminutive of a nickname his grandmother gave him, while Zukie was derived from the gang he ran with as a child, the Zukies. In his teens, he began working for the sound systems, first with I-Oses Discotech, then for the Maccabees. It was through the latter that he came to the attention of producer Bunny Lee; unfortunately, his off-hours delinquency ensured that he was also coming to the attention of the police.

In 1973 he moved to London where he was immediately swept into the studio to record his debut single, "Jump & Twist". Returning to Kingston at the end of the year, the young DJ now began recording singles for a variety of producers such as Yabby You, Bunny Lee, Ossie Hibbert en JoJo Hookim. Out of those sessions came the famous 'MPLA' album. He also set up his own 'Stars' label. Financial problems forced him to hold back the album release, but he did put out some singles. It was at this point that he began producing other artists, initially working with the likes of Errol Dunkley and former Itals vocalist Ronnie Davis.

Back to London he found out that a recording session he'd done during his previous stay, with producer Clem Bushay, had since been released as the 'Man A Warrior' album, and was selling like hotcakes through the Klik label. He then released the 'MPLA' album and found himself with the best-selling reggae record in the U.K. that Christmas.

A period of astonishing productivity followed, releasing the 'Man From Bosrah', 'Earth Running', 'Escape From Hell', 'In Dub', 'Peace In The Ghetto', and 'Black Man' albums between 1977 and 1979. At the beginning of the 80s he definitely was an international presence to be reckoned with. He worked with Horace Andy, Militant Barry and put out some interesting albums himself. Later in the decade he was responsible for productions with the Mighty Diamonds, Max Romeo, Ken Boothe, Sugar Minott, and U-Roy. As the digital era took over he solely concentrated on production work, releasing tunes with Beres Hammond, The Heptones, Simpleton and June Lodge.

The album 'Escape From Hell' saw its initial release in 1977 as a ten track album. It has been somewhat overlooked due to the small numbers of its original pressings. Tappa was at the height of his peak period as a roots producer with Sly & Robbie and the Revolutionaries house band and then up-and-coming engineer Prince Jammy, who would replace Philip Smart as right hand man at King Tubby's legendary Waterhouse facility.

The opening cut, Sidewalk Dub, sets the tone as a totally dubwise reading of Tappa's devotional 'My God Is Real', followed by the instantly recognizable Massacra Dub, an enthralling cut of Prince Allah's wonderful anthem, 'Burial'. Population Dub takes the 'Take Five' riddim, itself being an adaption of Dave Brubeck's jazz favourite. Then there is Weather Umbrella a well known riddim originally made popular by Ray-I as 'Weatherman Skank', who used the Treasure Isle classic 'It's Raining'. Next up comes King Alpha In School, a spirited re-cut of the Ebony Sisters' 'Let Me Tell You Boy' that Tappa used earlier for Horace Andy's 'Stop Your Brutality', followed by the outstanding Experience Dub, a subtle counterpart to Horace's 'Natty Dread Weh She Want' (which borrowed lyrics and structure from an earlier Soul Syndicate hit whilst also making use of the melody of Alton Ellis' Studio One classic, 'Hurting Me').

The album comprises bonus dubs, all drawn from the same key period of 1976-79. Noteworthy are the super rare Double Struggle, across Gregory Isaac's great 'Love Light' rhythm, which Tappa picked up from Ossie Hibbert at Channel One. More niceness on Natty Princess Version where you'll hear an excellent re-cut of Delroy Wilson's classic 'Conquer Me'. She Want A Version is a fantastic dub cut of the popular 'Phensic', while the album closes with Rub A Dub A Weh Them Want, of course based on the everlasting 'Natty Dread A Weh She Want'.

Backing Band : The Revolutionaries
  • Drums : Sly Dunbar
  • Bass : Robbie Shakespeare
  • Rhythm Guitar : Tony Chin
  • Lead Guitar : Chinna
  • Organ : Ansel Collins
  • Piano : Gladdy Anderson
  • Horns : Deadly Headly & Vin Gordon & Bobby Ellis
  • Percussions : Skully


  • Studios :
  • Recording : Channel One (Kingston, JA)
  • Mixing : King Tubby's (Kingston, JA)
  • Mixing Engineer : Prince Jammy
  • Engineer : Maxie


  • Essential...